Taking its name from Barbara Creed’s seminal theory, The Mutinous-Feminine is part gymnastics performance, part examination of the beauty canon; pulling into focus its lack of a muscular female morphology. The frozen, feminine odalisque of art history is set into motion with gymnastics performed in an artist's studio.
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“All architecture functions as a potential stimulus for movement, real or imagined. A building is an incitement to action, a stage for movement and interaction. It is one partner in a dialogue with the body.”
Body Movement of Body, Memory and Architecture